Welcome to Music Friday, when we spotlight songs with jewelry, gemstones or precious metals in the title or lyrics. Today, we revisit the enduring anthem “Forever Young,” originally by Alphaville, through a stirring new lens — a recent live performance by Brandi Carlile on The Late Show with Stephen Colbert.



First released in 1984, “Forever Young” has proven to be one of pop music’s most resilient treasures. Despite modest initial chart success in the US, the song has taken on a life of its own over the past four decades, becoming a cultural touchstone through film, television and countless cover versions. As of late 2025, the original recording has surpassed an astonishing 1.1 billion streams on Spotify — a testament to its universal message and emotional staying power.

At the heart of the song lies one of its most memorable and jewelry-centric lines: “Youth like diamonds in the sun.” It’s a phrase that perfectly captures the brilliance and vitality of youth — sparkling, radiant and full of life. Like a finely cut diamond catching sunlight, youth represents a time of unmatched energy, clarity and possibility.

Yet, the lyric also gently acknowledges that such moments are precious precisely because they are fleeting. Rather than dwelling on loss, the imagery celebrates the idea that life’s most luminous chapters are meant to be cherished, much like a treasured gemstone passed down through generations.

There’s also a subtle echo of the famous notion that “a diamond is forever,” adding an uplifting twist to the song’s message. While youth itself may not last indefinitely, the memories, experiences and love forged during those years can endure — polished over time into something even more meaningful.

Enter Carlile, whose soulful reinterpretation breathes fresh life into the classic. Known for her powerful vocals and emotional authenticity, Carlile delivers the song with a warmth and reverence that feels both intimate and expansive. Her performance underscores the song’s hopeful core, transforming it into a celebration of resilience and the enduring sparkle of the human spirit.

Carlile’s journey to this moment is as compelling as her music. Raised in rural Washington, she left high school to pursue her passion, teaching herself guitar and performing wherever she could — from local clubs to street corners. Her breakthrough came with the 2007 album The Story, and since then she has become one of the most respected artists in modern music.

With 11 Grammy Awards, collaborations with icons such as Elton John and Joni Mitchell, and her work with the supergroup The Highwomen, Carlile has built a career defined by artistry and authenticity. She’s also an accomplished producer, author and philanthropist, having raised millions through her Looking Out Foundation.

Fans will have even more to celebrate as Carlile embarks on her 2026 “Human Tour,” bringing her signature sound to arenas around the world.

More than 40 years after its debut, “Forever Young” continues to shine — much like the diamonds it so beautifully evokes. And in Carlile’s hands, its brilliance feels as timeless as ever.

Please check out Carlile’s live performance of “Forever Young” on The Late Show with Stephen Colbert. The lyrics are below if you’d like to sing along.

“Forever Young”
Written by Bernhard Lloyd, Marian Gold and Frank Mertens. Performed by Brandi Carlile.

Let us dance in style, let us dance for a while
Heaven can wait, we’re only watching the sun
Hoping for the best but expecting the worst
Are you gonna drop the bomb or not?

Let us die young or let us live forever
We don’t have the power but we never say never
Sitting in a sandpit, life is a short trip
The music’s for a sad man

Can you imagine when this race is won
Turn our golden faces into the sun
Praising our leaders, and getting in tune
The music’s made by a mad man

Forever young, I want to be forever young
Do you really want to live forever, forever and ever?
Forever young, I want to be forever young
Do you really want to live forever? Ahhh, forever young

Some of us are like water, and some are like heat
Some are the melody and some are the beat
Sooner or later, we'll be gone
Why don’t we stay young?

But it's hard getting older without a cause
I don’t want to perish like a fading horse
Youth like diamonds in the sun
But diamonds are forever

So many adventures couldn’t happen today
So many songs we've forgotten to play
So many dreams swinging out of the blue
If we let them come true

Forever young, I want to be forever young
Do you really want to live forever, forever and ever?
Forever young, I want to be forever young
Do you really want to live forever?
Ahhh, forever young



Credits: Photo by Missvain, CC0, via Wikimedia Commons.

More than a century after the tragic sinking of the RMS Titanic, one of its most poignant personal stories is about to resurface — not in the icy waters of the North Atlantic, but under the bright lights of a Chicago auction room. On April 26, Freeman's will present two extraordinary artifacts recovered from the body of John Jacob Astor IV: an 18-karat gold pocket watch and a gold pencil case, together estimated at $300,000 to $500,000.



The pairing offers a rare glimpse into the personal effects of one of the wealthiest men aboard the ill-fated liner. Astor, a real estate magnate and heir to one of America’s most prominent fortunes, carried the elegant timepiece — crafted by Patek Philippe and retailed by Tiffany & Co. — during what would become his final journey.



Made of 18-karat yellow gold and engraved with Astor’s monogram, it reflects the understated sophistication of the Gilded Age elite. Accompanying it is a 14-karat gold pencil case, a small but telling accessory that speaks to an era when even the most utilitarian objects were elevated through fine craftsmanship. Together, they were among the items recovered from Astor’s body days after the Titanic slipped beneath the waves in April 1912.



The backstory adds a deeply human dimension to these glittering relics. Astor, 47 at the time, was traveling with his young second wife, Madeleine Astor, who was just 18 and pregnant. Their marriage had stirred intense public scrutiny due to their age difference, prompting an extended honeymoon abroad.



When the Titanic struck an iceberg, Astor ensured Madeleine’s safety, helping her into a lifeboat. He famously asked if he could accompany her due to her “delicate condition,” but was denied under the “women and children first” protocol. Witnesses recall him calmly stepping back, kissing his wife goodbye and promising, “I’ll see you in New York.” He never made it.

According to Freeman's, the 18-karat gold pocket watch was purchased by Astor from Tiffany & Co. in New York in 1904. After the Titanic disaster, the watch and pencil were returned to Astor's son, Vincent Astor, who wore the watch throughout his life until his death in 1959. The watch subsequently passed through successive generations of the family:

What makes this upcoming sale particularly intriguing is the high-profile existence of another “Astor watch.” In April 2024, British auction house Henry Aldridge & Son sold a 14-karat gold Waltham pocket watch — also attributed to Astor — for a staggering $1.485 million, setting a record at the time for Titanic memorabilia.

Official recovery records from 1912, however, indicate that only one watch was found on Astor’s body.

That discrepancy has sparked ongoing debate in the auction world. Freeman’s maintains that its Patek Philippe example holds the strongest claim to authenticity, citing uninterrupted ownership within the Astor family for more than 120 years, along with archival documentation. The competing watch, while undeniably historic, followed a more circuitous path through private hands.

In the lead-up to the 2024 auction, Henry Aldridge & Son recounted how the real estate magnate’s possessions were turned over to Astor’s son, Vincent, who had the gold watch completely restored. Vincent reportedly wore the watch regularly, but in 1935, presented it as a christening gift to the infant son of William Dobbyn IV, John Jacob Astor’s executive secretary and confidant. The watch would remain in the Dobbyn family until it was auctioned in the late 1990s.

Credits: Auction items, Astor photo and newspaper front page courtesy of Freeman’s. Photo of John Jacob Astor IV and his wife, Madeleine, circa early 1910s. Public domain, via Wikimedia Commons.

Love, legacy and a spectacular piece of jewelry took center stage this past weekend as Gracie Hunt announced her engagement to Derek Green — and her ring is already sparking conversation among jewelry lovers.



The 27-year-old daughter of Kansas City Chiefs CEO Clark Hunt shared the news in a joint Instagram post on Saturday, writing simply, “It was always you.” The post featured a dreamy series of images capturing the romantic proposal: a candlelit outdoor setting framed by an altar of white flowers, with family and friends looking on as Green, 26, got down on one knee.



But it’s the ring — bold, elegant and subtly symbolic — that has truly captured our attention.

The center stone has been widely described as an emerald-cut diamond, a classic choice known for its long, clean lines and hall-of-mirrors brilliance. However, a closer look suggests the possibility of a radiant-cut or elongated cushion-cut diamond — both of which offer a softer outline and more scintillating sparkle. Either way, the center stone appears substantial, likely in the 3-carat-plus range, and secured in a prong setting designed to maximize light return.

The band itself adds another layer of intrigue. Crafted in what appears to be white gold or platinum, the split-shank design is adorned with pavé-set diamonds that cascade along the shoulders, enhancing the ring’s overall brilliance. But the most distinctive detail is a single emerald accent nestled along the band — a rare and personal touch in an engagement ring.



That flash of green may carry more meaning than meets the eye.

Observers have been quick to point out the playful symbolism: with her fiancé’s last name, Hunt could soon become “Gracie Green.” Even her mother, Tavia Hunt, hinted at the connection on social media, noting that “Gracie Green has a nice ring to it.” Whether intentional or serendipitous, the emerald accent adds a poetic layer to an already meaningful piece.

The couple’s love story stretches back years. Hunt and Green first met in 2017 and remained friends before their relationship turned romantic in 2025. Both share ties to football — she as a prominent figure in the Chiefs organization and he as the son of former Chiefs quarterback Trent Green, as well as a former college and international player himself. They also share academic roots at Southern Methodist University.

Their engagement marks not only a personal milestone, but also a merging of two NFL-connected families — a fitting backdrop for a proposal that blended intimacy with elegance.

Credits: Photos via Instagram / graciehunt and d12green.

With a bit more than two months to go before kickoff, the 2026 FIFA Men’s World Cup is already shaping up to be the most ambitious sporting event ever staged — and at its glittering focus is one of the most coveted and recognizable prizes in the world: the FIFA World Cup Trophy.



From June 11 to July 19, a record-breaking 48 nations will compete across 104 matches in a sprawling, 39-day tournament hosted by the United States, Canada and Mexico. The numbers are staggering — 1,248 elite athletes, 16 host cities (11 in the U.S., two in Canada and three in Mexico), and a projected global audience approaching six billion viewers. Yet, for all the scale and spectacle, the tournament ultimately comes down to a single, unforgettable moment: when one team lifts the iconic gold trophy in victory.



The FIFA World Cup Trophy is a masterpiece of design and symbolism. Standing 14.5 inches tall (36.8 cm), the sculpture depicts two human figures rising triumphantly as they hold up the Earth. Crafted in 18-karat gold, the piece contains approximately 11 pounds of the precious metal and weighs a total of 13.6 pounds. Encircling the base are two distinctive bands of rich green malachite — a gemstone prized for its vivid color and natural banding — adding a striking contrast to the warm glow of the gold.

Despite its luxurious appearance, one common misconception frequently needs clarification: the trophy is not solid gold. If it were, it would be far too heavy for jubilant players to hoist overhead. Experts estimate that a solid gold version would weigh more than 150 pounds due to gold’s extreme density. Instead, the current trophy is ingeniously engineered with a hollow interior, allowing it to maintain its impressive presence while remaining liftable during those iconic celebration moments.

The trophy is estimated to be worth $20 million due to its prestige, although the actual precious metal value is closer to $618,000.

Originally introduced in 1974 and designed by Italian artist Silvio Gazzaniga, the trophy has become an enduring symbol of global unity, excellence and aspiration. Its base is engraved with the names of every winning nation in its national language since its debut — a hidden detail that underscores the legacy each winning team joins. There's just enough room on the base to fit names through the 2038 tournament.

And here’s another fascinating twist: the trophy lifted on the field isn’t permanently awarded to the champions. After the confetti settles, the original returns to its home at the FIFA Museum in Zurich, where it is carefully preserved. The winning nation instead receives a gold-plated bronze replica — a dazzling keepsake, but not the original masterpiece.

As the 2026 tournament approaches, anticipation is building not only for the drama on the pitch, but also for the historic scale of the event. Expanded from 32 to 48 teams, this edition represents a new era for international soccer, offering more nations the chance to compete — and more fans the opportunity to connect with the game.

In the end, whether watched from a packed stadium or a living room halfway around the world, the World Cup remains a celebration of passion, pride and performance. And when the final whistle blows in July, all eyes will be on that radiant 18-karat gold trophy.

Credits: Image (cropped) of French footballer Djibril Sidibé holding the FIFA World Cup Trophy in 2018 by Антон Зайцев, CC BY-SA 3.0 GFDL, via Wikimedia Commons. Image (cropped) of Germany's Roman Weidenfeller with the FIFA World Cup trophy in 2014 by Marcello Casal Jr/ Agência Brasil, CC BY 3.0 BR, via Wikimedia Commons.

Minnesota lawmakers are advancing a bipartisan bill that would spotlight one of the state’s most prized natural treasures — the Lake Superior agate — on a vibrant new specialty license plate, with proceeds supporting state parks and trails.



Dubbed the “Agate Plate Bill,” the proposal would require the Minnesota Department of Natural Resources (DNR) to host a public design contest for a new state license plate. The winning concept must highlight the rugged beauty of the North Shore and feature the iconic Lake Superior agate, a gem treasured for both its beauty and its deep geological history.

If approved, the initiative would do more than just add flair to Minnesota roadways. Proceeds from the specialty plate would help fund state park initiatives, turning everyday drivers into contributors to conservation efforts.



For gem enthusiasts, the choice of the Lake Superior agate is especially fitting. Formed roughly 1.1 billion years ago during ancient volcanic activity, these agates are renowned for their vibrant, iron-rich hues — fiery reds, oranges and yellows that seem to glow from within. Their signature “fortification” banding, with concentric layers that resemble the walls of a fortress, makes each stone a natural work of art.

Equally fascinating is their journey. After forming in gas cavities within lava flows, the stones were carried across the region by glaciers during the Ice Age. This movement not only scattered them across Minnesota’s North Shore, but also gave them their distinctive textures, including the coveted “waxy” luster and sometimes pitted “potato skin” surface that collectors prize.

The proposed plate would mark a dramatic departure from the state’s wildly popular “blackout” plates, introduced in 2024. Those minimalist designs — featuring stark white lettering on a black background — quickly became a sensation, with hundreds of thousands sold. The agate-themed plate, by contrast, promises a vibrant, nature-inspired aesthetic that celebrates Minnesota’s geological identity.

Supporters say the bill’s appeal lies in its simplicity and creativity. It has already gained broad, bipartisan backing and is widely viewed as a feel-good initiative that merges art, nature and civic pride. The DNR’s design contest will require submissions from Minnesota residents and will prohibit the use of artificial intelligence, ensuring that the final design reflects authentic, human creativity.

If ratified, the new plate could become a rolling tribute to one of the Midwest’s most distinctive natural treasures — bringing the beauty of Lake Superior agates from the shoreline to the highway.

Credits: Conceptual license plate graphic by The Jeweler Blog using aichatapp.ai and reference image of a Lake Superior agate image by Lech Darski, CC BY-SA 3.0, via Wikimedia Commons. Lake Superior agate image by James St. John, CC BY 2.0, via Wikimedia Commons.

Welcome to Music Friday, when we spotlight songs that shine with jewelry, gemstones or precious metals in the lyrics. Today, we revisit the summer of 1971 hit “Don’t Pull Your Love” by Hamilton, Joe Frank & Reynolds — a song that captures the fragile moment when love hangs in the balance.



Frontman Dan Hamilton delivers a heartfelt plea to a departing lover, begging her not to board that “big white bird.” But it’s one line in particular that resonates deeply with jewelry lovers: his desperate question about the “brand new ring.”

Those three words become the emotional centerpiece of the song. The ring is more than a piece of jewelry — it’s a promise, a future, a symbol of commitment that now feels heartbreakingly uncertain.

He sings, “Haven’t I been good to you? / What about that brand new ring? / Doesn’t that mean love to you? / Doesn’t that mean anything?”

The implication is clear: the relationship has reached a milestone, likely an engagement or a serious pledge, and the ring represents permanence. Now, as she prepares to leave, the once-cherished symbol has lost its meaning — or worse, become a painful reminder of what’s being abandoned.

That emotional tension helped propel the song, written by Dennis Lambert and Brian Potter, to #4 on the Billboard Hot 100 and #1 on the Cash Box chart. More than five decades later, it still strikes a chord as a timeless story of love, loss and longing.

Interestingly, the summer of 1971 was also marked by a very different kind of milestone. While this soft-rock ballad climbed the charts, Apollo 15 was making history, landing astronauts on the Moon on July 30. It was a season defined by both emotional and literal journeys — one about a man trying to hold onto love, the other about humanity reaching farther than ever before.

Fast-forward to today, and history is repeating itself in a new way. This week’s launch of Artemis II marks the first crewed mission to the Moon in more than 50 years, reconnecting us with that same spirit of exploration that defined 1971.

As for the band, time has inevitably changed its lineup. Hamilton passed away in 1994, and Tommy Reynolds died in 2023. Joe Frank Carollo, now the sole surviving original member, has continued to stay connected to music in the years since the group disbanded in 1980.

Please check out the audio track of Hamilton, Joe Frank & Reynolds performing “Don’t Pull Your Love.” The lyrics are below if you’d like to sing along…

“Don’t Pull Your Love”
Written by Brian Potter and Dennis Lambert. Performed by Hamilton, Joe Frank & Reynolds.

Don’t pull your love out on me baby
If you do then I think that maybe
I’ll just lay me down and cry for a hundred years
Don’t pull your love out on me honey
Take my heart, my soul, my money
But don’t leave me here drownin’ in my tears

You say you’re gonna leave
Gonna take that big white bird
Gonna fly right out of here
Without a single word
Don’t you know you’ll break my heart
When I watch you close that door
‘Cause I know I won’t see you anymore

Don’t pull your love out on me baby
If you do then I think that maybe
I’ll just lay me down and cry for a hundred years
Don’t pull your love out on me honey
Take my heart, my soul, my money
But don’t leave me here drownin’ in my tears

Haven’t I been good to you?
What about that brand new ring?
Doesn’t that mean love to you?
Doesn’t that mean anything?
If I threw away my pride
And I got down on my knees
Would you make me beg you, “Pretty please?”

Don’t pull your love out on me baby
If you do then I think that maybe
I’ll just lay me down and cry for a hundred years
Don’t pull your love out on me honey
Take my heart, my soul, my money
But don’t leave me here drownin’ in my tears

There’s so much I wanna do
I’ve got love enough for two
But I’ll never use it girl if I don’t have you

Don’t pull your love out on me baby
If you do then I think that maybe
I’ll just lay me down and cry for a hundred years
Don’t pull your love out on me honey
Take my heart, my soul, my money
But don’t leave me here drownin’ in my tears



Credit: Photo (cropped) by ABC / Dunhill Records, Public domain, via Wikimedia Commons.

As the world turned its eyes skyward yesterday, Artemis II was poised to make history with the first crewed journey around the Moon in more than half a century. For jewelry lovers, however, this milestone isn’t just about exploration — it could mark the early steps toward an entirely new source of precious metals.



Launching from Kennedy Space Center, the 10-day mission will carry four astronauts — Reid Wiseman, Victor Glover, Christina Koch and Jeremy Hansen — on a sweeping arc around the Moon and back to Earth. It’s the first time humans will venture that far since the Apollo era, and its success is expected to pave the way for a crewed lunar landing as early as 2028.



That future mission isn’t just about planting flags — it could unlock a treasure trove beneath the Moon’s cratered surface.



According to research published in Planetary and Space Science in 2025, lunar craters may contain more than $1 trillion worth of platinum group metals, including platinum, palladium and rhodium. These valuable materials didn’t originate on the Moon itself. Instead, they were delivered over billions of years by asteroid impacts — cosmic collisions that scattered metal-rich debris across the lunar landscape.

Scientists estimate that roughly 6,500 craters could hold commercially viable concentrations of these metals. In many cases, the force of impact caused molten asteroid material to pool within the craters, effectively concentrating the very elements prized in fine jewelry and high-tech manufacturing.

If even a fraction of that material becomes accessible, it could reshape the global supply of precious metals.

Beyond platinum group metals, the Moon may also harbor another extraordinary resource: helium-3. This rare isotope — virtually nonexistent on Earth —is believed to exist in meaningful quantities in the lunar soil. With an estimated value of about $20 million per kilogram, helium-3 is highly sought after for its potential role in clean nuclear fusion and even in cooling next-generation quantum computers.

For now, these possibilities remain largely theoretical. Extracting and transporting materials from the Moon presents enormous engineering and financial challenges. Robotic mining systems, new propulsion technologies and international agreements will all be required before lunar resources can realistically reach Earth.

Still, Artemis II represents a critical step forward. By testing the Orion spacecraft and the systems needed to sustain human life in deep space, the mission lays the groundwork for a sustained human presence on the Moon. And with that presence comes the potential for commercial activity — mining included.

Imagine a future where a platinum ring can trace its origins not to a terrestrial mine, but to a lunar crater formed billions of years ago. It’s a concept that blends science fiction with emerging reality.

Of course, the timeline is uncertain. Even with a successful Artemis II mission and a targeted lunar landing later this decade, large-scale mining operations are likely years — if not decades — away. But the direction is clear: space is becoming the next frontier not only for exploration, but for resources that could one day influence everything from engagement rings to high-performance alloys.

Credits: Artemis II photo courtesy of NASA/Joel Kowsky. Artemis II crew photo courtesy of NASA/Kim Shiflett. Crater image courtesy of NASA/GSFC/Arizona State University.

As April shines a spotlight on diamond — the month’s official birthstone — few gems capture the imagination quite like the extraordinary "Motswedi" diamond, a 2,488.32-carat marvel whose story is still unfolding.



Discovered in August 2024 at Botswana’s Karowe Mine, the Motswedi immediately secured its place in history as the second-largest diamond ever unearthed, surpassed only by the legendary Cullinan Diamond of 1905. Classified as a Type IIa stone — meaning it possesses exceptional chemical purity with virtually no nitrogen impurities — the light brown gem-quality crystal represents the pinnacle of what nature can achieve over billions of years.



Today, the massive rough is in Antwerp under the careful scrutiny of HB Antwerp, where experts are conducting advanced scans and analyses to determine its ultimate value and fate. And that fate remains one of the most tantalizing questions in the diamond world.

At more than half a kilogram (17.58 ounces) and measuring more than 10 centimeters (about 4 inches) in length, Motswedi is not just rare — it’s a logistical and philosophical challenge. Should it be cut into a record-breaking polished diamond, potentially yielding a constellation of spectacular stones? Or should it remain intact, preserved as a once-in-a-century natural wonder?

“There’s no easy answer,” industry insiders suggest, noting that stones of this magnitude are within the reach of a limited pool of qualified buyers. Museums, private collectors and luxury houses are all potential suitors. Some institutions have already expressed interest in acquiring the diamond in its rough form, preferring to showcase its raw grandeur rather than alter it through cutting.

The name “Motswedi,” chosen through a national competition in Botswana, adds another layer of meaning. In Setswana, it translates to “water spring” or “source” — a poetic nod to something that emerges from deep within the earth to sustain and inspire life. It’s a fitting metaphor for a diamond that symbolizes both natural wonder and national pride.

Botswana’s diamond industry has long been a cornerstone of its economic success, and discoveries like Motswedi reinforce the country’s position as a global leader in diamond production. The Karowe mine, operated by Lucara Diamond Corp., has become renowned for producing exceptional “mega diamonds,” thanks in part to advanced X-ray transmission technology that allows large stones to be recovered intact.

Comparisons to the Cullinan are inevitable. The 3,106-carat Cullinan was famously cut into nine principal diamonds and nearly 100 smaller stones, many of which now reside in the British Crown Jewels. Motswedi could follow a similar path — potentially yielding multiple high-value gems — or it could chart a completely different course.

For now, Motswedi' 's next chapter remains unwritten. HB Antwerp’s ongoing evaluation will determine not only its potential yield but also its market value, which some estimates place well into the tens — or even hundreds — of millions of dollars.

Credits: Photos courtesy of CNW Group/Lucara Diamond Corp.

Following 23 years of operations and the recovery of more than 150 million carats of rough diamonds, Rio Tinto's Diavik Diamond Mine ceased production on March 24, 2026 — marking the end of an era that once seemed improbable from the very beginning.



Set beneath the icy waters of Canada's Lac de Gras, just 220 kilometers south of the Arctic Circle, Diavik was never a typical diamond mine. When diamond-bearing kimberlite pipes were discovered in 1991, few believed that such a remote, frozen landscape could yield a steady supply of gem-quality stones.

As Rio Tinto Iron & Titanium and Diamonds Managing Director Sophie Bergeron noted, “Forty years ago there were very few people who believed there were diamonds in Canada — even fewer could have foreseen how the Diavik story would unfold.”

What followed was a triumph of engineering and determination. Dikes were built to hold back the frigid lake waters, allowing access to four kimberlite pipes hidden beneath the surface.

“To arrive at this milestone has required vision, courage and determination to overcome significant challenges to mine diamonds beneath a frozen lake in one of the world’s most remote and pristine ecosystems,” Bergeron added.



From those unlikely beginnings emerged a steady stream of exceptional stones — primarily high-quality white diamonds, but also a handful of rare and unforgettable colored gems. Among them, none captured the imagination quite like the legendary “552,” a 552.74-carat yellow diamond unearthed in 2018. Roughly the size of a chicken egg, it remains one of the largest gem-quality diamonds ever discovered in North America.



We had the rare opportunity to view the extraordinary rough at Phillips in New York City in February 2021, where it was displayed ahead of its transformation into a polished gem. The spectacle was unforgettable — a glowing, bi-color crystal shifting from vibrant yellow to near-white.



That remarkable rough would eventually yield an equally dazzling result: "The Dancing Sun," a 204.36-carat fancy intense yellow cushion-cut diamond with VVS2 clarity. When it crossed the auction block at Christie's in New York in June 2021, it achieved nearly $5 million, cementing its place as the largest polished yellow diamond ever cut in North America.

Other notable finds from Diavik include the 187.7-carat “Diavik Foxfire” and a 158.2-carat yellow diamond recovered in 2025 — rare flashes of color from a mine best known for its icy white brilliance.

While production has ended, Diavik’s story is far from over. Closure and environmental reclamation efforts will continue through 2029, reflecting a long-standing commitment to restoring the land and honoring partnerships with Indigenous communities. Meanwhile, the final parcels of rough diamonds will continue to be polished and sold through Rio Tinto’s global network.

Credits: Diavik mine image courtesy of Rio Tinto. Phillips exhibition images by The Jeweler Blog. Image of “The Dancing Sun” courtesy of Christie’s.

The Los Angeles Dodgers added another dazzling chapter to their storied legacy on Friday, unveiling their 2025 World Series championship rings in a pregame ceremony ahead of their matchup with the Arizona Diamondbacks. Designed to commemorate both a historic back-to-back title run and the franchise’s ninth championship overall, the rings feature a unique ring-within-a-ring design and a secret windowed compartment filled with World Series Game 7 dirt.



Crafted in 14-karat yellow gold, the ring immediately commands attention with a bold, gem-encrusted top. The iconic “LA” logo is brought to life with 17 custom-cut blue sapphires, a nod to the 17 postseason victories required to secure the title. The words “WORLD CHAMPIONS” are rendered with 86 diamonds — 32 stones spelling “WORLD” and 54 forming “CHAMPIONS.” Punctuating the LA logo is a larger bezel-set diamond, representing the Dodgers’ status as baseball’s top team.

Behind the logo is a backdrop of 79 diamonds and 48 sapphires, while an additional 70 diamonds frame the top for added brilliance. Encircling the face are the years of the franchise’s nine World Series titles, punctuated by 15 sapphires — a subtle but powerful reminder of the team’s enduring excellence.



But what truly sets this ring apart is a top that unscrews to reveal a secret sapphire-accented band crafted in white gold. Beneath it lies perhaps the most creative element: a tiny glass enclosure etched with the Dodgers logo, preserving actual dirt collected from home plate at Toronto’s stadium following last year's decisive Game 7 victory.

Also within the hidden compartment are representations of two World Series trophies, each set with a single round diamond. A banner proclaiming the team’s “Back 2 Back” achievement — the first such feat in Major League Baseball in 25 years — streams across the two trophies.



The right side of the ring celebrates the 2025 season, with “DODGERS” and the year rendered in diamonds atop two diamond-accented World Series trophies and a Dodgers logo, while the left side personalizes each piece with the player’s name and number, accented by a row of 15 sapphires.

Even the smallest details carry meaning. The interior of the band is engraved with each player’s signature, along with playoff opponents, series scores and the date of the title-clinching Game 7. On the exterior, "4,012,470" is etched into the band — a tribute to the exact number of fans who filled Dodger Stadium and fueled the championship run.

Credits: Images courtesy of The Champions Collective by Jostens.